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THE CURTAIN CALL

Genre

Drama

​

Running Time

14 minutes

 

Exhibition Format

4K DCP, 2K DCP,
4K ProRes, 2K ProRes

Apect Ratio

2.39:1

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Sound Mix

Stereo

After becoming involved in the murder of a paparazzo, rising actor Harrison Monroe and kingpin talk show host Jackson Harper grapple with personal ambitions in the underbelly of Hollywood. In pursuit of fame, Harrison navigates truth, betrayal, and manipulation—all while appearing as a guest on Jackson’s late night talk show. 

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Cast

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MITCH COX

"Harrison"

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GEOFF MAYS

"Jackson"

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JACOB VALIYEV

"Frank"

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ALESSANDRA CAVALLINI

"Jane"

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SMITA JACOB

"Newsreporter"

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PAUL ELIAS

"Officer"

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STEPHAN SMIJAK

"Officer"

Director's Statement

It began with a simple question: What would I give up to achieve success in our industry? Though perhaps I wouldn’t go as far as what unfolds in the film, this story was a way for me to delve into my (an artist’s) ambitions.

 

"The Curtain Call" follows an up-and-coming young actor, Harrison Monroe, who has a path to greatness laid out in front of him. He resembles the journey of an aspiring artist. It’s all there for the taking, but at what cost?

 

I feel that everyone loves a story about the dark side of fame. We’ve seen media depictions of its highs and lows, from tabloid scandals to social media turmoil. But there aren’t many stories that do a deep dive into the machinery behind the spotlight. So I wanted this film to peel back the polish-ness of Hollywood to reveal an unsettling truth: that success and fame is rarely earned without sacrifice, and often, it’s someone else who pays the price.  

 

The film is purposely told non-linearly. Through Harrison’s perspective, this was done to show his back-and-forth on his lack of commitment to Jackson. Visually, I wanted the film to reflect the tension with frames that are always on the move, the lighting is dramatic, with contrasts and harsh spotlights to showcase the glare of fame and the shadows of corruption behind it.

 

Even though the story is set in our modern entertainment industry, I wanted it to avoid being overly grounded in the present. Subtle details of modern celebrity culture; such as paparazzi, influencer aesthetics, and media manipulation will provide context without overshadowing the universal themes of power and morality.

 

This is a story about more than just the lives of the rich and successful. It’s about the universal human need for validation and the destructive lengths people will go to attain it.

 

As for me? I’ll pursue the arts—if greatness comes along, then great.

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The Crew

Written & Directed by

RUBEN HARJONO

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Produced by

EILEEN CAHILL

WILLIAM PRIEMS

 

Director of Photography

DANIEL LAURIN​

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Editor

WILLIAM ROBOTHAM

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Composer

DANIEL MANSOUR​

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Casting

PRAGATI KAUSHAL

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Production Designer

GAVIN TAYLOR​​

​Art Director

RO CHARIFA

Costume & Makeup

EMERLYN JAY​

Set Decorator

ANDREA SERNA GARCIA

Art Production Assistant

JUSTIN DE LEON

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1st Assistant Director

LILY CHIASSON

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Script Supervisor

NATASHA GEORGE

 

Location Sound Recordist

DANIEL SARGEANT

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Boom Op

JESSE MCINROY

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Gaffer

ETHAN CAREY

Key Grip

RYAN HARRIS

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Swing

DRE DELA PENA

JIYA PHADALE

JACKSON ADAMS

 

​Cam Op

AMANDA HACKSEL

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1st Assistant Camera

ALEXANDER ZIP

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2nd Assistant Camera

LAUREN PACK

ELIANA D'ASSISI

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Key Production Assistant

RICKY DONG​

Production Assistant

ERIKA BROWN

GRACE NDOMATEZO​​

Sound Designer

LEVI CONSIDINE​​

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Re-recording Mixer

KAREN YAMAMOTO

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Colorist

JESSE HILTON

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© 2026 Daisy's House Productions. 

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